这张是花样年华的剧照，杜琪峰的签名，咳咳，我用iphone盗版的。在acmi的screen worlds展览中有一角介绍花样年华的摄影，acmi全称australian centre for moving image，位于Federation Square东面。最近同展的还有Tim Burton专场，名字不熟没关系，他的作品一定熟，随便说一串，《剪刀手爱德华》《圣诞夜惊魂》《大鱼》《僵尸新娘》《查理的巧克力工厂》《理发师陶德》。最心疼爱德华那无法触摸爱人的爱哟，惆怅。还有陶德面对爱人却又不识的悲哀。Tim Burton一定是个心中落寞孤独却有爱的人。
言归正传，淡定，这是个被的时代。
It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way–in short, the period was so. far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
这是最好的时代，这是最坏的时代，这是智慧的时代，这是愚蠢的时代；这是信仰的时期，这是怀疑的时期；这是光明的季节，这是黑暗的季节；这是希望之春，这是失望之冬；人们面前有着各样事物，人们面前一无所有；人们正在直登天堂；人们正在直下地狱。
狄更斯《双城记》中的这段完美的诠释着这个被的时代。在这个被的时代，我们惶恐，我们迷惘，我们无法面对自己的内心，我们沉沉睡去，逃避现实；我们匆匆醒来，疲于应付。我们面带笑容，自觉空虚；我们哭泣无措，找不着痛楚。我们积极的被生活着，被理想着，被期望着，被约束着，被捏成这样那样，被选择着。我们努力寻找内心的平静，犹如制肘的做着选择，努力还原一个真实的存在，欲望却将我们带入更真实的虚无。
所以，我们要无欲则刚的打太极。噗～
所以，要淡定，淡定，这是个被的时代。